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Lessons July 10, 2002 (WHITE) Written by: Joss Whedon Directed by: David Solomon |
| Teaser |
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We see the (backdrop of the) city sprawling out beyond the rooftops.
Arm down, past a man sleeping on a roof, down, into an alley where we pick
up a GIRL of about fifteen. She is running for her life.
We move with her through alleys, past doorways that are either shut or
being slammed shut as she approaches. She looks about her, wildly, keeps
moving.
ANGLE: a robe, skimming the ground as her pursuer follows. Another
enters frame as well.
She hits a dead end, turns.
The two robed figures appear at the end of the alley. They have hoods,
and beneath the hoods, black cloth covers their faces as well. Ninja Monks
would be the best approximation.
She's terrified as they start toward her, but not without resolve. She
jumps up on a pile of trash, starts climbing up a pipe as she kicks away
the trash. One of the robed men grabs for her ankle but she's too high,
she's near the top of the wall --
She crests it and another figure appears in frame, pushes her roughly
back as she screams --
She falls back and lands on the alley floor hard. She is immobilized
and terrified as one of the men holds her down, the other pulling out a
horrible, ornate dagger.
Her eyes. The knife.
It leaves frame, and comes back bloody. Again. Again. We see nothing,
but we hear it all.
EXT. GRAVEYARD - NIGHT
A vampire's FACE pops up from the dirt (he's already got an arm out).
He's creepy, cadaverous and hungry.
It's about power. Whip over to see Buffy squatting by the grave, camera at ground level and moving slowly around her. She holds a stake.
Who's got it... who knows how to use it... She tosses the stake (without looking) and we whip with it to the foot of the grave, looking up (waist level frame) at DAWN, who catches it, eyes mostly on the vamp. Nervous.
So who's got the power, Dawn? DAWN BUFFY DAWN The vamp has both arms out now, looks at Dawn, grinning, as he struggles to pull himself up.
(to himself) Blood... BUFFY DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN BUFFY VAMPIRE (O.S.) They look over at him. He's still only waist level out of the grave.
I think I'm stuck. BUFFY VAMPIRE DAWN BUFFY Buffy crosses to him as he continues --
I really appreciate it... it's just so dark, and I don't know what I'm doing here... Maybe if you just give me some leverage I can work -- Buffy yanks him up by the back of his jacket with one hand, sets him on his feet.
Whooh. Thanks. That was a help. (Grins evilly) Unfortunately, it was also the last -- Buffy's hand clamps on his throat and the last words come out as a Donald Duck rasp.
-- thing you'll ever do. BUFFY VAMPIRE BUFFY She lets him go, steps back. The vampire takes a step forward and Dawn readies herself, trying not to look scared.
Power. He's got it, he's gonna use it. You don't have it -- He rushes Dawn -- and she rolls back on impact, going under him as he rolls past her and into a tombstone, hard.
So you use that! Perfect. Flush with momentary success, Dawn scrambles for her dropped stake, jumps at the vamp and stakes him. A little too much to the right. Angry, he backhands her and she goes flying back. Before she can recover -- blood dotting her lip -- he's on her, she scrambles underneath him to get him off -- Buffy is nowhere to be seen -- Dawn pulls up a stake, the vamp recoils and hisses, but grabs her arm and twists it 'til she drops it in pain --
Buffy!! His face comes closer to her's, she can't fight him off, saliva dripping from his fangs as he opens wide and covers her mouth with his hand and pulls her head to one side, exposing neck -- And brings his head down. Her eyes go wide -- and Buffy pulls him off, throws him back. He keeps his footing, comes at her -- and a couple of quick, but fairly dazzling moves disable him. Buffy grabs a sword sticking out of the ground (by a bag of weapons) and beheads him. He dusts. Needless to say, she has hardly broken a sweat. Her attention is on Dawn, who is on the ground, hand to her neck, which is bleeding slightly. Her look is slightly bewildered and accusatory.
It's real. That's the only lesson, Dawn. It's always real. She holds her hand out, and Dawn takes it. Buffy helps her up. Buffy looks at her neck
Let me see... DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN Buffy gathers the weapons and they start to exit the graveyard over the following.
My first time out I missed the heart too. DAWN BUFFY DAWN BUFFY DAWN BUFFY
CUT TO:
Scissors. Huge, gleaming in the sun. They open, move towards: A big red ribbon.
It is my great pleasure and privilege to announce the official opening, on the very ground it first stood upon... Widen to see: EXT. SUNNYDALE HIGH - DAY A group of business people and families gathered for a ceremony in front of a large building. We are focused on ROBIN WOOD, a well dressed African American, maybe thirty, holding the scissors -- but we're tracking back FAST to see the entire building --
... of the brand new, state of the art... Sunnydale High! ANGLE ON: scissors slice through red.
BLACK OUT.
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| Act One |
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EXT. ENGLAND - DAY
No, really! Actual England. Not like that cheesy Istanbul.
Rolling green hills and an arm down to find GILES making his way along
them. We arm further down to see WILLOW, sitting by a tree with her back
to him.
She is intent on:
ANGLE: A FLOWER
Which she is causing to (CGI time-lapse) grow in front of her.
Giles comes to Willow and her flower, which is finished.
That doesn't belong there. She doesn't look back at him. Just quietly agrees:
No, it doesn't. GILES He sits by her.
Is there anything you don't know everything about? GILES WILLOW GILES WILLOW GILES WILLOW GILES WILLOW GILES WILLOW She offers the jest meekly, not being glib.
She didn't think that. She was just -- WILLOW GILES WILLOW GILES WILLOW She rises. He follows.
You know we can't. This isn't a hobby, or an addiction. It's inside you now, this magic. You're responsible for it. WILLOW GILES WILLOW GILES WILLOW GILES WILLOW GILES WILLOW GILES EXT BUFFY'S HOUSE - DAY In the bright morning. A car pulls up to the curb. Xander steps out, and he's changed a bit himself. He's sharp dressed in a dark suit and tie in which he's at perfect ease. He's holding a set of rolled-up blueprints. We track around the car with him a bit, low angle, taking in his new image. (NOTE: this can be shot as a reverse somewhere else if we're not heading Torrance way any time soon.) INT. FOYER/DINING ROOM/KITCHEN - CONTINUING We're raking the dining room window as Buffy crosses to it, sees Xander. She moves to the bottom of the stairs, calls up:
Dawn! Xander's here! DAWN (O.S.) BUFFY DAWN (O.S.) Buffy opens the door as Xander enters --
Morning -- BUFFY DAWN (O.S.) We move into the kitchen with Buf and Xander.
You're unconscionably spiffy. XANDER BUFFY She tosses a few dishes in the sink as they speak, generally tidies.
I ate, I'm good. How are you? BUFFY XANDER BUFFY XANDER They cross back into the dining room, Dawn passing on her way to the kitchen as Xander rolls out the prints.
Check out Double-Oh-Xander. BUFFY XANDER Dawn wanders in, eating cereal.
Nothing's creepy? Strange? From Beyond? DAWN XANDER BUFFY He holds the old plans to the window so light streams through them.
Right. So I lined up the plans, new and old -- He covers the new with the old. We can see both, the sun working like a lightbox.
And on the exact spot where the library was, we now have... BUFFY DAWN BUFFY XANDER BUFFY DAWN XANDER BUFFY Buffy produces a box, slides it across the table to Dawn.
What is this? BUFFY Dawn starts to open it, her excitement tempered with suspicion --
It's a weapon, isn't it? BUFFY Dawn opens the box -- EXT SUNNYDALE HIGH - DAY As Buffy and Dawn climb out of Xander's car. Buses have arrived, kids stream in, some with parents.
I'm gonna take her to class. Have a look around. XANDER BUFFY He drives off as Buffy and Dawn walk toward the front entrance. Buffy sees a girl who looks like Trouble with a side of Goth walking by herself. Creepy.
Now remember: if you see anything strange, or, you know, dead... DAWN BUFFY Dawn stops.
Buffy. I think it's pretty safe to say I'm not gonna see anyone that's invisible. BUFFY DAWN BUFFY PRINCIPAL WOOD Buffy spins to see Principal Wood smiling at the two of them. Most everybody else has made it inside by now.
Oh. Hi. PRINCIPAL WOOD They shake hands.
Buffy Summers. This is Dawn. PRINCIPAL WOOD DAWN BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD The principal leaves.
Well that was suspicious. DAWN BUFFY DAWN She scampers off. Buffy takes a beat, looking at the school. Another beat, and she enters. INT. SCHOOL HALLS - DAY Buffy enters, looking about her. The last few people are heading into classes. Buffy walks along the unfamiliar space, toting the all-too-familiar dread. She turns a corner, comes to a row of lockers. ANGLE: FROM THE OTHER END we see Buffy small, lockers growing in frame as they approach foreground. Buffy looks about her for a bit in the silence. Something FLIES into frame and SMASHES into a locker right in front of camera, bounces off. Buffy jumps, spins to look -- it's a basketball, that bounces back to where it came from. It's another hall -- and a pair of hands takes the ball from the ground, pulls it out of sight. Buffy starts toward the unseen person. Turns the corner -- and catches a glimpse of a big young THUG, who glares at her menacingly in passing as he disappears around the next corner. Buffy continues to follow, rounds the corner -- and he's nowhere. She walks slowly on, passing the door that says: BASEMENT. NO STUDENT ACCESS. INT. CLASSROOM - DAY Dawn sits in the back. On one side of her is a nice-seeming, attractive girl, who is already whispering to a friend. On the other side is a quiet, nerdy guy, who's probably not gonna speak to anyone for the first four months. Dawn just looks around, apprehensive, vaguely smiling at people.
Well, okay. I'm Mr. Lonegrin. Why don't we go around the room and introduce ourselves. Let's start with... And he scans about the room,
SMASH CUT TO:
Dawn, standing, in the middle of hers:
... and my sister is a vampire slayer, her best friend is a witch who went bonkers and tried to destroy the world, um, I actually used to be a little ball of energy until about two years ago when some monks changed the past and made me Buffy's sister and for some reason, a big klepto. My best friends are Leticia Jones, who moved to San Diego because this town is evil, and a floppy eared demon named Clem. ANGLE: The students stare at her. Total silence.
SMASH CUT TO:
Dawn comes out of her reverie -- she has said none of this -- as we hear a student saying:
... Die Hard, Spiderman, and the Matrix, I'm hoping to try out for the swim team this year, I love to swim, and uh, I hope I don't flunk. Polite laughter. Dawn just nervously waits her turn. How is she ever gonna survive this?
Okay How about you? INT. GIRL'S BATHROOM DAY Buffy enters, her fur seriously up. She stops by the sink, looks in the mirror. A long beat, and she touches her hair.
It's not mom hair... She notices something on the sink, goes to it... ANGLE: a small bone, tied to a twig and a feather. Buffy's hand reaches into frame, picks it up. We tilt up to see Buffy in the mirror, looking at it -- and a DEAD GIRL leers at her from right behind her shoulder. Blue/white, peeling, cadaverous, (cause she's a cadaver, one would presume) with deep gashes in her forehead and cheek that are still red and matted blood about her face. Her hair is greasy and lanky, her clothes dirty and torn. But honestly, the worst part is the smile.
You can't protect her... Buffy looks up, gasps --
Couldn't protect me... Buffy spins -- There's no one there. She looks back in the mirror. No one there either. CLOSE ON: BUFFY as she tries to take this in, freaked out. Suddenly a DEAD JANITOR is right in her face, grabbing her, roaring:
GET OUT! GET OUT! GET OUT! He roughly pushes her back -- And she looks up to see he's gone as well. Push in on her. NOW she's wigged.
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| Act Two |
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INT. CAFE - DAY
We see a couple -- woman singing, man playing guitar, singing a happy
love song.
ANYA sits with HALLIE (Halfrek, but they're in civilian face, so let's
be casual.) They sip large coffee-type drinks.
God, they're depressing. HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA HALLIE ANYA Halfrek looks away, coffee to her lips --
Sweetie, they are. INT. SCHOOL HALLS - DAY Buffy comes barrelling out of the bathroom, takes a moment to get her bearing, then heads off to find Dawn's class. We STEADICAM down the halls with her, urgency increasing -- INT. CLASSROOM - DAY Dawn is a actually standing, giving her little intro.
... history, and sociology, I love to dance, I like music, I'm very into Britney Spears' early work, you know before she sold out, so mostly her finger painting, macaroni art... Students laugh -- Dawn is gaining confidence, even enjoying herself --
Very under-rated... Favorite activities include not ever having to do this again... (more laughs) And, what else? I'm fairly boring otherwise -- Buffy BURSTS into the classroom, out of breath, intense --
Dawn! DAWN BUFFY DAWN Buffy begins to take stock as she continues, deflating somewhat...
We, I mean I saw... TEACHER BUFFY She exits sheepishly. Dawn's look mirrors her own as the class looks at her, silent now. A beat...
I also have a sister. EXT. SCIENCE BUILDING - DAY It's under construction. Xander is there, jacket and tie gone, sleeves rolled up and a hard hat on. BUFFY approaches him.
(to a worker) Tell Ronnie to let the other guys finish upstairs. (to Buffy) So, how's it looking? Does the place pass inspection? BUFFY XANDER BUFFY XANDER He walks her to a more secluded spot, pulling off his hat.
So, zombies or ghosts? BUFFY XANDER BUFFY XANDER BUFFY XANDER BUFFY XANDER BUFFY XANDER She has no answer. Looks off into the distance -- INT. CLASSROOM - DAY As does Dawn. The teacher is talking at the front of the class, but we hear nothing. Lost in thought -- probably about the untimely death of her social life. The nerd next to her leans in --
Can I borrow a pencil? She starts a bit, pulls one from her pencil case. ANGLE: THE PENCIL As she hands it over, the hand receiving it is blue/white and peeling. We move up to the nerd's face -- he's another of the dead people that Buffy saw.
Thanks a lot. The odd croak of his voice causes Dawn to turn to him -- and before she can gasp he SHOVES THE PENCIL IN HER EYE. She falls back out of her desk, screaming and holding her face. Kids come out of their chairs, the teacher rushes forward -- Dawn calms down, pulls her hands away -- there's no blood. No pencil, two working eyeballs... Dawn sees everyone staring at her, looks over at the nerd's desk. It's empty.
Are you all right? DAWN TEACHER DAWN TEACHER Dawn rises, looking at the desk...
What happened to the... never mind. She exits, very shaken. The kids look at her like she's crazy, including the boy who spoke before.
Guess it runs in the family. INT. GIRL'S BATHROOM - DAY Dawn enters, sweating. She goes right to a stall and sits, shaking, trying to clear her mind. She is there a moment when she hears something. It takes a moment to recognize it as low sobbing. Dawn becomes very still. Listens. The sound is coming from further down in the stalls. Slowly, a little frightened, she bends down to see: ANGLE: DAWN'S POV Down all the stalls. No feet. But the sobbing continues. Dawn looks worried, but not totally freaked. She moves slowly out of her stall. Starts down the row of stalls... INT. SCHOOL HALLS - DAY Buffy is coming back from seeing Xander. She turns a corner and bumps into -- Principal Wood. Buffy almost takes the principal out, but sees who it is in time.
Whoa. BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY INT. GIRL'S BATHROOM - CONTINUING Dawn approaches the last stall. The soft sobbing continues. Dawn reaches the door, pushes it open. The creepy looking goth girl Buffy saw outside (KIT) is huddled on the tank, feet on the seat. She is terrified, clutching her shoulder bag (it's the small old army kind and yes, it'll come into play later).
Hey, what's wrong... KIT DAWN KIT INT. SCHOOL HALLS - CONTINUING
You know, I actually know a little more about you than I let on before. BUFFY PRINCIPAL WOOD INT. GIRL'S BATHROOM - CONTINUING
Let's just get you out of here, okay? We're gonna be all right. But maybe we could get some air. Slowly, Kit lets Dawn help her out of the stall.
I'm Dawn. KIT DAWN KIT DAWN She stops, looking in the mirror. Fast pan to show that in the mirror, they are surrounded by all three of our dead folk. ANGLE: The lights EXPLODE! A shower of sparks above the girls' heads leaves the bathroom in darkness. Kit screams --
Come on! She tries to pull Kit toward the door, but the girl is on the deep wig. ANGLE: THEIR FEET As Dawn tries to drag Kit to safety, three sets of dead HANDS SMASH through the tiled floor and GRAB at them. A whole chunk of floor crumbles beneath the screaming girls as they are pulled down into darkness.
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| Act Three |
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EXT. ENGLAND - DAY
Close On: WILLOW
As she gasps, like she's just come up from underwater.
Widen to see Giles on his knees, holding her -- she has collapsed on
the front lawn of an old stone house.
For a few moments she continues to gasp, panic etched in her sweating
face.
Breathe... just breathe... WILLOW GILES A few more moments, and she shakily disengages herself, resting with her hands in the grass, breath still coming slow.
What happened? GILES She looks around her, getting her bearings.
We were talking. And I felt -- She jerks her hands away from the grass, remembering.
I felt the earth. She looks at Giles.
It's all connected, it is, only it's not all good and pure and rootsy... there's deep, deep black, there's... I saw the earth, Giles. I saw its teeth. GILES WILLOW INT. BASEMENT OF SCHOOL - DAY Dawn and Kit lie amidst the rubble. Kit is shaking Dawn, who shakes her head, blearily.
Hey, wake up... please wake up... DAWN She feels the back of her head, winces in pain. Kit is looking around, afraid. Dawn looks up at the hole they came through. Looks at Kit.
Are you okay? KIT DAWN They help each other up. Dawn's a little woozy, and Kit's limping slightly, but they're good to go. But the basement appears to be something of a maze. They turn, looking for the best way out...
There's gotta be a staircase... Come on. They move toward a corner.
What did you see? When I found you in the stall? KIT DAWN They're about to turn the corner when a large figure SHOOTS out right in front of them -- they SCREAM -- It's the thug with the basketball that Buffy saw in the halls. He has no ball now, just a look of terror. He's called:
Who are you? KIT DAWN CARLOS DAWN CARLOS DAWN CARLOS DAWN DEAD JANITOR He's several yards away, coming into the dim light. (Did I mention it's really dark down here?)
It's not real... DAWN DEAD NERD They whip -- he's coming from the other direction.
I tried to scream. They're surrounded. The dead people shamble toward them with menacing glee.
It doesn't matter how much you scream. Nobody ever hears you. Realizing, Dawn starts going through her pockets.
Hear me, right... I got a present... my sister gave me a present. KIT Dawn pulls out a small cell phone.
A weapon. INT. SCHOOL HALLS - CONTINUING Buffy still speaks with the Principal.
The school board recommended I spend some time reading your record. It's a page turner. Kind of a checkered past. BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD Buffy's phone rings. She jumps a little.
Hey! That's loud. PRINCIPAL WOOD But Buffy has it to her ear --
'Scuse me. (listens) Uh huh? (to Wood) Sorry. (bad liar time:) It's my dog. My dog walker. (into phone) Three dead? PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY INT. BASEMENT OF SCHOOL - CONTINUING Dawn is on the phone as the three kids back into a corner. Dawn is scared, but together.
Good. And, Buffy... INT. SCHOOL HALLS - CONTINUING
Yeah? INT. BASEMENT OF SCHOOL - CONTINUING
Isn't this reception amazing? I'm in the frikkin' basement! A moment, and she hangs up. Looks to the other two.
Help is on the way, guys, we just gotta -- ANGLE: The dead guys are gone.
Where did they -- And the Janitor's hand SHOOTS around her throat. INT. SCHOOL HALLS - CONTINUING Buffy is pocketing her phone, backing away.
I'm sorry, but I have to go. PRINCIPAL WOOD Buffy turns the corner -- then, out of sight, bolts. INT. GIRL'S BATHROOM - MOMENTS LATER Buffy enters. It's still dark, and there's still a big hole in the floor. Without hesitation, Buffy jumps cleanly down through the hole -- INT. BASEMENT OF SCHOOL - CONTINUING And lands, catlike (but not Tom Cruise in MI2-like, 'cause LAME), looking around. She's alone. Looks around a bit.
Dawn! No sound, no movement. Buffy starts through the dark space -- it really does resemble a maze. A moment, then she remembers -- pulls out the phone, speed dials. Waits -- hears a distant ringing, far left. She runs down the corridor towards it, but it stops. She puts the phone to her ear --
Dawn! I'm close by -- DEAD JANITOR (ON PHONE) Buffy's face tightens. She slows, still heading in the same direction.
But then, you're always too late, aren't you? Buffy rounds the corner -- and there he is, smiling at her. No phone, though.
Sure as hell didn't save me... BUFFY DEAD JANITOR Buffy looks around, sussing the space. Some doors, halls going off -- no clue if Dawnie might be around.
If I'm the one that let you die, why take it out on her? I'm right here... What are you after? Fear? Revenge? Tasty brains? DEAD NERD He's appeared to the left of her.
Again, wrong sister. I'm the one that dates dead guys. And no offense, but they were hotties. I mean, I'm sure you had a great personality... She's on the other side, gradually they gather before her.
Were you busy making out with your dead boyfriend when I was ripped to death by a werewolf? Is that why you let me die? DEAD NERD BUFFY DEAD JANITOR Buffy looks around her, increasingly worried.
A person could spend months in here and never be found. Believe me, I know. BUFFY DEAD JANITOR DEAD GIRL DEAD JANITOR BUFFY DEAD JANITOR BUFFY She indicates a rusty metal door behind them. It's so like the wall it sits in that it's almost invisible. The Dead Guys look pissed that she sussed that one.
Who's for finding out why? It's probably a bad idea for the nerd to rush her first -- she grabs his arm and single handedly (in the literal sense) swings him into the wall behind her, swinging him back into the Janitor, who follows hard upon. They both go flying and Buffy heads for the door and the girl JUMPS on her, screaming, trying to bite her -- Buffy jumps up and back, flies through the air and lands as hard as she can on the girl, wrestler-style. Rolls away and comes up and all three are suddenly standing between her and the door as though nothing has happened.
It at first you don't succeed... She runs at them -- they charge -- and she jumps over them, flipping in mid air (high ceilings), landing on her feet and dashing for the door -
-- cheat. She pulls -- it's locked -- suddenly they grab her, pull her back, some panic on their faces -- she elbows, shakes and kicks them off, pulls at the door again, we hear metal groaning, locks snapping -- and the door flies open.
Dawnie! We have to get -- SPIKE. Standing two inches from her face. Hair disheveled, longer, with roots showing. Clothes dirty and torn. On his face, madness and despair. And possibly violence. Buffy stops.
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| Act Four |
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INT. BASEMENT OF SCHOOL/INNER CHAMBER - A
MOMENT LATER
Buffy and Spike stare at each other, neither particularly
comprehending. The dead types not a factor as we stay in close ups...
Spike...? He says nothing.
Are you... real? He laughs at that and his laughter is so close to tears it's not pretty.
Spike... He reaches out to touch her face. She's kind of immobilized... SPIKE BUFFY The Janitor SLAMS her in the back of the head with a baseball bat-sized pipe. She goes face first into the wall, drops to the ground in agony, blood coming from her nose. Spike just takes a step back into the darkness of his inner chamber, muttering...
No visitors today... terribly busy... The Janitor swings the pipe down again, Buffy blocks it with her arm, but that nearly breaks bone. She cries out in pain. ANGLE: NERD and GIRL Watch with satisfaction.
Told you to get out... Buffy leg sweeps the Janitor, sends him to the ground. She grabs the door and jerks it into his face three times in rapid succession. She pulls herself painfully into the inner chamber, Spike backing further away. Shuts the door behind her.
They'll probably show up in a sec -- SPIKE BUFFY SPIKE Buffy comes to him, focused on him now...
Spike... what happened... He moves a step away, pulling his unbuttoned shirt closed. Concerned, Buffy comes to him and gently opens his shirt.
(quietly) What did you do...? ANGLE: SPIKE'S TORSO Is covered in cuts, some new, some healed for months. He begins to weep.
I tried... I tried to cut it out... She looks at him with confusion and concern -- and jumps a mile when the phone rings.
(into phone) Dawn?
INT. BASEMENT CHAMBER BY FURNACE - CONTINUING Dawn is huddled in a dark corner, with the other two.
(whispers into phone) Buffy... where are you? Buffy glances at Spike, who's impressively out of it. Hesitates.
I'm... where are you? DAWN BUFFY As if in proof, we hear something BANG against the metal door. Buffy moves away from it...
(mutters) Not in here, they'd not dare... no solicitation, thank you... DAWN BUFFY DAWN BUFFY SPIKE DAWN BUFFY She puts her hand over the phone.
You know what they are? Spike looks at her like SHE'S crazy, "Duh"... she glares at him and he gets small again.
Manifest spirits, controlled by a talisman, raised to seek vengeance... a four-year old could figure it... He wanders into a corner, squats, distractedly amused.
Just hang tight. I'll find you. These things can hurt you, but you can hurt them too. Find a weapon. I'll come for you. She hangs up.
Spike, you gonna help me out? SPIKE He's starting to tear up again, running his hands along the walls.
It's in the walls... BUFFY She turns, faces the door. The banging continues. She holds a sec... Kicks it open -- and there's no one there. She moves out.
Guys? Resentful dead guys? A noise makes her spin, but she seems to be alone.
This can't be good... She starts moving through the halls, cautiously, but with a purpose.
Come on... Manifest spirits, raised up, controlled by (stops) -- a talisman... She pulls out the phone again, speed dials.
Xander. INT. BASEMENT CHAMBER BY FURNACE - CONTINUING Dawn and the others are looking around them, staying low and quiet.
We need some kind of weapon. Just to hold them off. Carlos holds up two dusty bricks from the corner.
I got these... DAWN Kit does and Dawn empties it without a thought, shoves the bricks in it. INT. SCHOOL HALLS - CONTINUING Xander runs down the halls, action-purpose guy. INT. BASEMENT OF SCHOOL - CONTINUING Buffy pulls a door open -- nothing. She's beginning to feel turned around. INT. BASEMENT CHAMBER BY FURNACE - CONTINUING Dawn pulls the bag strap as long as it will go. She hefts the bag -- it's heavy.
Do you think they'll come back? DEAD GIRL She steps into the dim light of the furnace, the others behind. The nerd now holds the pipe.
We never left. We'll always be here, just like you. KIT DEAD GIRL With a roar, Dawn SWINGS the bag at her -- but it's too heavy and she only hits her in the shins. But that works too, the girl stumbling back and clutching her shins as the Janitor punches Dawn and knocks her to the ground. Kit SCREAMS -- INT. BASEMENT OF SCHOOL - CONTINUING Buffy hears the struggle, makes for it. INT. GIRL'S BATHROOM - CONTINUING Xander bursts in, stops short at the damage.
Whoa! Contracty goodness. (back to business) Talisman. Talisman. He starts looking, but it's dark in here. INT. BASEMENT CHAMBER BY FURNACE - CONTINUING The Janitor kneels down, pulls Dawn's head up by the hair.
You can thank your sister for this. Buffy bursts through the door -- Nerd swings, but she ducks, rolls forward onto her back from which position she slams her legs into the kneeling Janitor, sends him flying against the wall --
Thanks, sis. BUFFY And the nerd slams the big pipe down, Buffy barely rolling out of the way this time.
The bag! Buffy grabs the strap as she gets up, swinging the bag with ease very different from Dawn's -- in fact she picks up speed, swinging it like a bolo -- and it's bag-fu time as she, Chan-like, swings it into zombie faces, over her head, around her back -- around the pipe, pulling it away from the nerd while headkicking the girl back into the dark corner -- and never stopping the graceful motion of her deadly swinging brickbag INT. GIRL'S BATHROOM - CONTINUING Xander is on his hands and knees by the sink, careful to avoid the hole...
Come on.... yes! He picks up the twig/bone/feather thing --
Talisman! He stands -- and Dead Girl is right by him, screaming and attacking. INT. BASEMENT CHAMBER BY FURNACE - CONTINUING Buffy finally lets the bag go, flying into Janitor face and sending him rocketing back. Without thought, Dawn tosses Buffy the big pipe and Buffy catches it without looking, twirls it into a ready stance.
You really wanna keep this up? DEAD JANITOR INT. GIRL'S BATHROOM - CONTINUING Xander is on his back in the corner. He manages to keep the clawing girl away long enough to snap the bone and rip the thing apart. She disappears. INT. BASEMENT CHAMBER BY FURNACE - CONTINUING As do Nerd and Janitor. A beat, as everyone lets the air out.
Are they gone? BUFFY DAWN Buffy looks over at the doorway, thinking about Spike. Turns to Dawn.
There's always a talisman. She tosses the pipe to the ground.
The real question is who put it there. She looks at the freaked-out kids.
Let's find a way upstairs. Assuming there is one. As they go:
You really weren't kidding about this place. I guess it hasn't changed. BUFFY INT. SCHOOL HALLS - DAY Pan through the halls as kids change classes, packing the place. Buffy, Dawn, Carlos and Kit are all together near the entrance to the basement. It's crowded, but these four are in their own world.
You guys are gonna be okay. This school is intense, but you can do all right if you're careful. And you might wanna think about sticking together. KIT She hugs Buffy. Carlos puts his arm on her shoulder and says, sincerely:
Yeah. I mean it. You're the coolest mom ever. Ashen, Buffy instinctively touches her hair. Dawn smiles.
Come on. We've still got a few more classes to live through. She kisses Buffy on the cheek and then takes off, arm in arm with Kit, Carlos staying close. Buffy watches them go, then turns to find Principal Wood staring at her.
Curiouser and curiouser. BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD BUFFY PRINCIPAL WOOD The principal smiles, winningly, and goes off. Buffy watches, her smile fading. Still not sure about this person. She looks around the building a bit, then exits out the front.
I've got so much to learn. EXT. ENGLAND - DAY Willow sits with Giles. It is not long after her attack, and they have been talking.
You always will have. That doesn't ever stop. WILLOW GILES WILLOW He doesn't answer. A beat. INT. BASEMENT OF SCHOOL/INNER CHAMBER - NIGHT Spike is rocking on his haunches, muttering to himself. We PUSH IN...
Everything is... I had a speech, I learned it all... oh God, she won't understand... she won't understand... And suddenly we see a pair of legs pass him, and tilt up to see WARREN pacing around the room.
Of course she won't understand, Sparky. I'm beyond her understanding. She's a girl. Sugar and spice and everything useless unless you're baking. I'm more than that. More than flesh -- He MORPHS into GLORY...
-- More than blood, I'm... you know, I honestly don't think there's a human word fabulous enough for me. Oh, my name will be on everyone's lips -- assuming their lips haven't been torn off -- but not just yet. That's all right, though... And MORPHS into ADAM...
...I can be patient. Everything is well within parameters. She's right where I want her. And so are you, number 17. You're where you belong. ... into MAYOR WILKINS, who squats opposite Spike.
What'd you think, you'd get your soul back and everything would be Jim Dandy? A soul's slipperier than a greased weasel -- why do you think I sold mine? Well, you probably thought you'd be your own man and I respect that. But you never will. He reaches for Spike's face, MORPHING into DRUSILLA.
You'll always be mine. You'll always be in the dark with me, singing our little songs. You like our little songs, don't you? He lets her caress his face, still trying to shut them all out, still muttering inaudibly.
You always liked them, right from the beginning. And that's where we're going. She stands, MORPHS into THE MASTER.
Right back to the beginning. Not the "Bang", not the "Word", the true beginning. The next few months are going to be quite a ride, and I think we're all gonna learn something about ourselves in the process. You'll learn you're a pathetic shmuck, if it hasn't sunk in already. He stands over Spike's hunched figure.
Look at you. Tried to do what's right. Just like her, you still don't get it. It's not about right. It's not about wrong. And he MORPHS as well, Spike looking up to see the face towering above him, looking down at him with a quiet smile...
It's about power.
BLACK OUT.
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